Blue Vector is my first attempt at visualizing motion capture data. It is a rendering of an improvisation in which I made movement decisions with the intention of smoothly redirecting momentum from one direction to another. The needle-like vectors are the first, second, and third derivatives of the position data, so you see at once the velocity vector, the acceleration vector, and the jerk vector in a flattened 2-dimensional representation of 3-dimensional space. The relationships between such vectors can be counter-intuitive in that they are often directionally opposed. Visualizing them at each point on the body provides a better sense of the sensations experienced by the dancer–the viewer can see the opposition felt by the dancer, as well as the power in the moment when everything aligns.
An examination of the conflict between our identities and our abstract representations in digital media.